"With no intention to write about the event, I found myself too astonished to keep quiet by the brilliant work of Carlos Miguel Prieto… it was easily the best sequence [of concert movements from Prokofiev’s Romeo and Juliet] I’ve heard in the concert hall."
Arts Desk

"Prieto and the orchestra entered fully into the supercharged energy of the music, making as much of its tender lyricism as they did of its convulsive rhythms and clashing tonalities."
Chicago Tribune

"[Prieto's] conducting was fantastically physical, with an intense sense of momentum and power behind it."
Limelight Magazine

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